Paava Kadhaigal Full Movie Download Isaimini, Tamilrockers, Kuttymovies, Mp4moviez, Moviesda, Tamilgun, Hindi, Tamilyogi, Movierulz, Telugu, Filmywap, Google Drive, Telegram, 123Mkv, Isaidub, Pagalworld, Filmyzilla. Web Series Leaked Online For Free Download in dual audio Hindi & Tamil Dubbed in HD (1080p | 720p | 480p | 360p) Quality:
Anjali, Adithya Bhaskar, and Shanthnu Bhagyaraj’s tamil anthology web series ‘Paava Kadhaigal’ released on Netflix on Saturday and open to watch from 18 December, 2020.
As per media reports, within a few hours of its actual release on OTT platform, The movie is leaked by Katmoviehd, Isaimini, Moviefliz, Filmyzilla, TamilRockers, Bestwap, Filmywap, some Telegram channels, Google Drive Links, and other illegal pirated movie websites for free download.
However, we always suggest you to stay away from those pirated sites and watch it legally by purchasing subscription of OTT platforms. and later watch it for free.
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The movie is premiering on OTT platform, Netflix from 18th December. The film is directed by Sudha Kongara, Gautham Vasudev Menon, Vetrimaaran, and Vignesh Shivan. However, the story is written by Shan Karuppusamy. On the other hand, it is produced by Ashi Dua, Rhea Kongara, Avinash Viswanathan and Ronnie Screwvala. Kalidas Jayaram, Kalki Koechlin, Prakash Raj, Anjali, Gautham Vasudev Menon, Sai Pallavi, and Simran will be looked at the lead role of this webseries.
Starring by actors like Kalidas Jayaram, Prakash Raj, Shanthnu Bhagyaraj, Kalki Koechlin, Bhavani Sre, Anjali, Sai Pallavi, Gautham Menon, and Simran. On the other hand, Theni Eswar, Jomon T. John and Ganesh Rajavelu mutually handled beautifully the cinematography works. And Justin Prabhakaran, R Sivatmikha, Karthik, and Anirudh Ravichander, handled music department.
Paava Kathaigal Film/Web series Trailer, Plot and Cast
|Film:||Paava Kathaigal (2020)|
|Director:||Sudha Kongara | Gautham Vasudev Menon | Vetrimaaran | Vignesh Shivan|
|Producers:||Ashi Dua | Rhea Kongara | Avinash Viswanathan | Ronnie Screwvala|
|Stars:||Kalidas Jayaram | Prakash Raj | Shanthnu Bhagyaraj | Kalki Koechlin | Bhavani Sre | Anjali | Sai Pallavi | Gautham Menon | Simran|
|Production Company:||RSVP Movies | Flying Unicorn Entertainment|
|Movie Type:||Drama | Anthology|
|Web Series Seasons & Episodes:||Thangam | Vaanmagal | Love Panna Uttranum | Oor Iravu|
|Quality:||Full HD (1080p) | 720p | 480p | 360p|
|IMDB Ratings:||8.4/10 (677 Users Ratings)|
Paava Kadhaigal Movie Short Summary (Story) & Review
There’s a mystifying anxiety brought about by the melancholic cradlesong, Kanne Kanmaniye, Sivatmikha’s tune that goes before every one of the four movies in Netflix’s treasury, Paava Kadhaigal. It’s the perplexing clue that similar guardians who so treasure and love their girls, calling them Kanne and Kanmaniye, some way or another build up the psychological discord important to have the option to release unspeakable monsters on them for the sake of honor.
The slices of red in the liveliness video that outlines the development of a girl, as she changes from subordinate little child to a freethinking grown-up in affection and later, marriage, is another unfavorable indication of what’s to come in the four movies. I discovered Paava Kadhaigal’s invasion into the awfulness of our sort — something as explicit as honor killings — to be quite a welcome takeoff from the treasurys themed on conventional points that have come our route up until now. This thought serves to offer movie producers like Gautham Menon and Vignesh Shivan an opportunity to enter new universes — in whose murkiness lie powerful powers like modesty and position and social standing—and the outcomes range from sensibly captivating to painful.
1st Part: Sudha Kongara’s Thangam
It’s very interesting how with the single stunt of conjuring up a transwoman in this film, what might some way or another play like a commonplace provincial romantic tale that runs into parental resistance, gets implanted with so numerous new layers. Pretty much every point feels new essentially in view of the focal character: a persecuted, embarrassed trans lady, Saththaaru (a great Kalidas Jayaram), whose way of life as a lady is reliably, efficiently denied by the general public she lives in.
Likewise, much credit to Kalidas’ presentation who truly possesses this character, with every one of her weaknesses and dauntless cheer. This film talks about the perils prowling at each corner for a trans lady, how it’s frequently more terrible than in any event, for cisgender ladies. The best pieces of this film were those that allowed this character to character and live and cherish.
The short is in somewhat of a rush to get puts however. Shanthnu’s Thangam disregards a potential proposition prompting misfortune, becomes hopelessly enamored, gets hitched, absconds, goes through a year, has a kid… all in this runtime. This is maybe why the progress from an overall happy state of mind to one of mourn feels rather abrupt, regardless of whether Sudha pads it with a contort. As the film plunged towards its genuinely careless contort end, I wished I had studied Saththaaru, more than the speedy concealing the character gets, and maybe that is the thing that prevented me from truly turning forlorn as that practically sensational flashback happens towards the end. In any case, all things considered, it’s a film that sets up the compilation very well.
2nd Part: Vignesh Shivan’s Love Panna Vitturanum
I’m very tangled by this film, a dim satire, on the grounds that the segments that function admirably are brilliant, however the film is additionally sadly troubled by some awkward changes from in temperament, and there’s some risky informing too. Given the weight and seriousness of the current point — honor slaughtering — it’s a fascinating decision by chief Vignesh Shivan to limit the class to dim satire. There is flippant word humor and there’s a lot of situational parody as well — and one including a househelp comes at a point that makes you puzzle over whether you should wheeze with sickening apprehension or feeling entertainment. This disarray is one of the issues with Love Panna Vitturanum, which abandons having you be alarmed in one second, to responding with entertainment in the following.
One joke truly hit home however for me: the incongruity of those contrary to intercaste love getting bewildered when defied with a lesbian relationship. There are two fabulous exhibitions in this film: Padam Kumar, who plays a casteist legislator and the dad to indistinguishable twins, Aadhilakshmi and Jyothilakshmi (both played by Anjali); and artist Jaffer who plays a little individual and the government official’s cleverness subordinate. The little individual is set up to be a callous executioner who procures each swearword that comes his direction. While the visual effect of seeing quite an interesting character with a baritone voice no less, adds to the danger of the exhibition, I don’t know it’s doing anything valuable to such individuals who as of now face a considerable amount of predisposition and harshness, because of their small height.
In the interim, Padam Kumar, playing Veerasimman, a dad who priotises rank pride and social honor over adoration for his little girls, draws a ton from the profundities of his apparently sleepstarved eyes to impart his many inferred feelings and considerations. This dim parody never genuinely permits you to absorb the effect of two awful killings that happen in its timetable. All things considered, it takes upon itself the tricky thought of nearly endeavoring to identify with Veerasimman.
That it’s done through a pitiful tune that is about his alleged torment — and the glad end he appears to get in this film — truly makes you can’t help thinking about how or why he has been permitted to go without any penalty, notwithstanding accomplishing something unspeakable. At the point when the film — and its extremely peculiar epilog text — completes the process of playing out, you are eventually left with the lingering flavor of having viewed an unusual film that maybe couldn’t easily deal with the murkiness of its material.
3rd Part: Gautham Menon’s Vaanmagal
This movie, this theme, should a be unchartered area for Gautham Menon, regardless of whether you can a lot of recognize his executive presence with the fairly solid utilization of music and repeating voice-overs, including one that wraps up the film. The chief additionally goes about as one of the damaged guardians (the spouse is played by Simran), and I very got him playing a nearly smothered male pioneer figure of this family, whose choices are more impacted by his better half than he by and large lets out (like in that scene where he says that the vehicle seat covers aren’t eliminated following her solicitation).
It investigates an alternate translation of the ‘honor’ thought and highlights a kidnapping that appears to appear unexpectedly and resultant sexual viciousness—and thus, the social disgrace encompassing casualties and all the more pertinently for this film, their families. I making the most of Simran’s exhibition as the nearly disturbed, befuddled moderate lady, frantically attempting to take routineness back to the family. In this film with some shocking turns of events, including assault, filicide, and mutilation, the scene that caused me the most distress is one that shows a mother endeavoring to in a real sense clean the stain of a wrongdoing on her girl’s body. That sharp line from the trailer about how ladies bear the weight of family honor and eminence—one that practically is a string across all movies in this compilation—is from this film.
4th Part: Vetri Maaran’s Orr Iravu
My top choice of the multitude of movies, Vetrimaaran’s Orr Iravu is an unfazed perception of honor murdering and how a framework empowers it. The film starts with a brilliantly arranged opening grouping at the local home of Sumathi (an awesome Sai Pallavi). The house’s super reasonable plan, stained divider and all, and prisoners approaching their cooking and cleaning errands, makes it very certain that this is right around a docu-style catching of the situations set to develop in it.
The convictions of this present house’s occupants are clarified right then as well, as Sumathi alludes to her significant other by name and her mom jokes, “Purushan paera solradha un oorla vechika.” By ‘un ooru’, she’s, obviously, alluding to the city from where Sumathi has shown up — a city that this film recommends is far more secure than Sumathi’s local town and its inyour-face casteism. In spite of the fact that rank abuse is at the core of this film — Sumathi’s dad (Prakash Raj), for example, can’t get himself to drink water at his child inlaw’s place — this is a film that prepares its attention soundly not on the mistreated (Sumathi or her retrogressive standing spouse, Hari) yet the oppressor, her dad.
This is a film that is just attempting to, practically like a postulation, give testimony record the change of a sustaining, caring dad into an alarming attacker. The film is likewise keen on uncovering the function of society in such evil getting upheld and as recommended toward the end, even legitimately pardoned. Save for some old style violins that mediate when the circumstance gets especially desperate, this is a pretty quiet film, with the sound plan generally entrusted with catching the truth of the setting, similar to the trilling of crickets around evening time—which has the impact of causing the occasions to feel much more genuine and thusly, vile.
I cherished both Sai Pallavi and Prakash Raj in this film, the previous particularly by they way she creeps and argues and bears base anguish. Concerning Prakash Raj playing Sumathi’s tangled dad, this film is principally about the profiling of his character, about how foundational pressure makes him lose handle of what’s good and bad. While putting him under the magnifying lens, this film additionally observes the consigned jobs stood to ladies in such social orders and the clear insolence.
Simply investigate how Sumathi’s dad treats the ladies of his home, particularly his better half who he regularly calls like one would do steers: ‘man-made intelligence!’ In this significantly influencing film, in the event that I had a grumbling by any stretch of the imagination, it would be that in its excitement not to be seen consigning Hari to the foundation, it winds up falling back on off-kilter epilog text to offer a few clarifications. By at that point, the film is long finished, its target of an itemized picture of Sumathi’s dad very complete, and me, a weepy wreck.
How To Watch & Download Paava Kadhaigal Full Movie Online For Free in Hindi, Tamil, Malayalam, & Telegu?
Currently, Paava Kadhaigal is available to download only on OTT platform, Netflix. You can watch the four short films episode for free of cost if you have the subscription of Netflix which starts from ₹199 / month. If you still do not have any subscription then follow the below steps,
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